This particular Ferrari had its original Touring body updated by Zagato in 1953 before eventually ending up on a Detroit used-car lot, where a couple traded a Triumph TR2 and some money for it. A later owner blew the engine and replaced it with a small-block Chevy V-8 (!) before selling it (with its original engine) to a college student who daily-drove it for years and later put it in storage for decades. A Aarhus Pianofabrik Ackerman & Lowe Ackerman, F.J. Acoustgrand Acrosonic Adam, F.
![]() ![]() Lagonda Piano S Serial Number ButWe need to run the serial number but it looks early 1940s. Grand Yamaha Mod.G1 1979.Hobart Cable Petite Baby Grand 4.5 footer in overall good condition. Grand Steinway Mod A 1899. Restring square Richard+Mutts. Restring square J.Broadwood+Sons 1827. ![]() Eminently affordable, uprights were made by the millions, and countless specimens made between 18 still exist to be admired and studied. Many notable piano manufacturers, including Mason & Hamlin, Baldwin, and Kimball, got their start making reed organs.Since 1880, the most historically significant form of the piano has been the upright. However, as improved manufacturing methods led to lower piano prices, the public turned away from the reed organ in favor of the piano. It was inexpensive, easy to manufacture, and durable. By 1890, square pianos had all but disappeared from piano showrooms.Although not a piano, the reed organ, also known as the pump organ, reigned as the most popular keyboard instrument for the home from 1850 to 1894. Uprights were cheaper to manufacture, which made them more affordable and, being smaller, they fit better in the narrower dwellings of the middle class, who constituted the new generation of piano owners. As railroads opened up the West, Chicago retailers supplied the emerging frontier towns with pianos from the East. These factories were generally located in cities, which were crowded with foreign immigrants and rural Americans seeking the jobs made possible by the Industrial Revolution, and which thus had an abundant supply of cheap labor.Early in this period, most piano manufacturers were located in Eastern cities such as New York, Boston, and Baltimore. Coal was increasingly used to fuel the new steam engines and to heat the factories. The biggest technological advancement was the displacement of water power by steam power, which allowed industry to move away from the banks of fast-moving rivers in the Northeast and spread across the nation. Because of this, although the furniture of an 1880s upright may be considered antique, such a piano is considered mechanically modern.The Industrial Revolution took root in America in the late 1860s, following the Civil War. But most of the several hundred piano manufacturers active in this period merely assembled parts supplied by other firms that specialized in making soundboards, plates, actions, hardware, and cabinet components. Some of the better-known names included Steinway, Chickering, Henry F. To expand the market, retailers adopted installment sales, a practice pioneered by the Singer Sewing Machine Company by the 1890s, the vast majority of pianos were sold on installment credit.During this later period, some piano makers made most of their own parts and kept their quality standards high. Because labor unions had yet to organize there, pianos made in Chicago were cheaper, though many were also of mediocre quality.By the 1880s, the adoption of mass production and assembly-line techniques led to extraordinary price reductions in goods of all kinds, including pianos. Kimball, began to make their own pianos and thus challenge the dominance of the Eastern makers. In response, a number of Chicago retail firms, such as Lyon & Healy and W.W. Sometimes, however, an unscrupulous dealer would use a name nearly identical to that of a high-end piano, in order to dupe customers into believing that, say, a "Stienway" was actually a Steinway. Typically, the dealer would place on the instrument a decal with the name of his store. Others sold their pianos on a "stencil basis" that is, the pianos bore no brand name or manufacturer identification. There was a significant increase in wages for laborers and clerical workers alike, which in turn led to the formation of a growing class of individuals who were comfortable but not rich. The new, urban-based industrial age created an abundance of work for the newly arrived immigrants. In America, many had lived on the frontier, with only the objects necessary for daily subsistence. However, the term defines a collection of interrelated attitudes more than an actual time span, and conjures up images of prudery, domesticity, sentimentality, social conservatism, romanticism, fussy and overfurnished parlors, middle-class stuffiness, and the opulence of an upper class of super-rich industrialists.Recall the world that had come before. The Victorian PeriodThe term Victorian generally describes British society from 1837 to 1901, the years of the reign of Queen Victoria or, in America, the late 19th century. Public schools were being taught to read music, and it is estimated that there were a half million piano students in the country.Although Queen Victoria had little to do with the American furniture style named for her, the association persists, and conveys a meaning. By 1886, seven out of ten pupils in the U.S. This glorification of the piano was no mere fad the instrument became a moral institution. It was a fashionable and convenient way to introduce a young lady to society and, if she was lucky, attract a wealthy husband. For a family to own a piano, and to have its daughters play the instrument (whether or not they wanted to or had any musical talent), became an emblem of prosperity. Music making and music appreciation became feminized. This open filigree scrollwork always has repeated patterns, and is backed with rich, brilliantly colored silk. American Victorian-era piano design was split into two main phases: the styles of the 1880s and those of the 1890s.* Styles of the 1880sAn 1880s piano is immediately identifiable by the three-paneled jigsaw scrollwork of its front board. Victorian pianos are instantly recognizable: they had lots of curves, glossy finishes with rounded corners, and flamboyant ornamentation — the more the better. Homes were filled to the brim with big furniture and excessive amounts of ornamentation. The style was eclectic, ornate in design, and, some would say, cluttered. The 1893 panic, a global collapse of the value of U.S. Styles of the 1890sThe decade of the 1890s was, economically, a generally depressed period that included two monetary panics growth did not resume until about 1898. The sides of these early pianos were also often curved or paneled. Also, Victorian pianos had minuscule fold-down music desks, either attached to the curved fallboard, or located on the bottom edge of the front board's center panel.The woods were highly figured veneers, predominately of mahogany and rosewood.Repeating patterns of rococo involute carving extend from the pilaster onto the cheek, appearing as if squeezed from a tube of cake frosting. The panic also fostered protectionist and anti-immigrant sentiment.To reduce costs, some of the more labor-intensive furniture designs were simplified. Manufacturing came to a near standstill — in 1894, in response to a precipitous drop in demand for pianos, piano production plummeted by more than 50 percent, and manufacturers slashed salaries.
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